As its name implies, the last mode turns the H90 into a full-blown pedalboard for live performance. The two larger knobs allow users to switch between the H90’s three modes: Select, Bank, and Perform. Its design consists of five knobs and three footswitches used for dialing in effects and switching between presets, etc. The Eventide H90 pedal comes in a sturdy, stage-ready metal enclosure that feels like it can withstand the rigors of the road. Eventide H90 Review: How Does It Stack Up? Construction & Design Still, you can always access the H90’s Control software if you need to get deep into patch editing, and that makes it more accessible. The H90 goes farther and harder than the H9, arguably at the expense of some user-friendliness. There’s certainly something to be said the one-knob design that made the H9 such a game-changer. It’s worth noting that some users might still prefer the award-winning simplicity of the H9 over the H90. RELATED: The 7 Best Chorus Pedals for Your Board.The H90 also expands I/O and front-panel usability with more knobs, buttons, and footswitches for controlling various parameters. The biggest difference between the H9 and H90 comes in the form of 10 additional algorithms as well as improved DSP power. Instead, it’s just another member of the Eventide multi-effects pedal family. To be fair, the H90 was never meant to be a replacement for the H9. The Eventide H90 epitomizes the multi-effects unit. Other algorithms consist of overdrive, delay, tremolo, chorus, pitch shifting, and loads more. With 62 algorithms, including timeless Eventide phaser, flanger, and SP2016 reverb, the H90 is more than capable of producing a huge variety of sounds and tones. The H90 is a much more scaled-back version of this monster, though that doesn’t mean it’s any less formidable. RELATED: The 8 Best Multi-Effects Pedals for Live & Studio Guitar Sounds.It contains a dizzying 1600+ algorithms including Eventide classics and all of their new innovations as well. The current generation H9000 is a professional rack-mounted multi-effects processor for studio recording or live sound. The H90 Takes Inspiration from the H8000 & H9000 However, given the amount and quality of effects housed in the H90, many users could consider this the be all, end all for their sonic needs. Perhaps this is best evidenced by the price tag, which certainly isn’t cheap. We’ll dig into some of the finer details momentarily, but given the brand’s historical track record, the H90 is a pro-grade piece of equipment. There’s little to doubt in terms of build and sound quality. The Eventide H90 Harmonizer Multi-Effect Pedal Is a Top Quality Stomp BoxĮventide is a household name in professional audio. In today’s review, we’ll take a closer look at the Eventide H90 and whether it stacks up as a guitarist’s pedalboard dream. The Eventide H90 is a multi-effects pedal capable of producing everything from “always on” effects like overdrive to completely unconventional sounds. However, both are quite expensive for what they provide and seem more limited in their palette than traditional multi-algorithm pedals like BigSky, Space or Empress.For over 50 years, producers and engineers have relied on Eventide for both bread-and-butter and cutting-edge experimental effects. Strymon NightSky (because of number of parameters) and Golden Reverberator (for sheer sound quality). Recently, two reverb pedals caught my attention. It also sounds good when used with my Juno Gi instead of build-in reverbs. It was a huge improvement over Spring for my purposes. After watching a video where he demosntrated his process, I ended up bying Strymon BigSky. Judging by some videos Soma’s composer (Mikko Tarmia used Eventide Space and Strymon Timeline. However, the Spring reverb in OP-1 made my tracks sound quite dull in the end. It was a bit challenging at first, but eventually I managed to replicate most of the core sounds (which, BTW, were partly generated by a modular synth). The game has an amazing soundtrack and I was inspired to create something similar on OP-1. I’ve realized the importance of reverb after I played SOMA. Considering that OP-1 didn’t have a standard reverb before Field, I’d expect everyone having their own favorites. Only one reply with a pedal? I’m surprised.
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